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How to See God – Bodhinatha's Upadesha

Satguru Bodhinatha Veylanswami

Bodhinatha’s Recent Sun One Upadeshass:
“How Can We See God” (January 21,2017)

The divine is in everyone. “See everyone as God.” Even in the terrorist, even in the criminal, the seed of divinity is there. Over many lifetimes that divinity is supposed to grow. Bring in devotion, that moves out emotion, displaces anger. As Chellapaswami said: “Oru pollaappum illai.” We should accept everything that happens because nothing is wrong.

Path to Siva, Lesson 13

Master Course Trilogy, Dancing with Siva, Sloka 3


Click here to go to an index of all of Bodhinatha’s and Gurudeva’s online audio.

Bodhinatha's Sun One Upadesha, January 14, 2017

Satguru Bodhinatha Veylanswami

Bodhinatha’s Latest Upadeshas:
“What Are Siva’s Three Perfections” (January 14,2017)

The idea of Monistic Theism is seen in the three perfections of God Siva. Theism is the face of evolving, monism is always the Truth. We have pure consciousness and the source of pure consciousness, Absolute Reality. The soul body is maturing. The nucleus of your soul and Parameshvara are identical, you just have to realize it. Imkaif, Parasiva, one of the three perfections–you can’t describe it.

Path to Siva, Lesson 12.

Twelve Shum Meditations: Gurudeva’s The Advaitin, 1968.


Click here to go to an index of all of Bodhinatha’s and Gurudeva’s online audio.

Path To Siva – Who Is Siva? God Siva Is the Supreme Being

Bodhinatha

Bodhinatha’s Latest Upadeshas:
“God Siva —the Supreme Being” (January 01,2017)

Lord Siva is the Supreme Being of the universe, not one of many gods. To Saivites Siva is the supreme being; to Vaishnavites Vishnu is the supreme being. The soul starts with experiencing the world. On one side the soul is pulled by veiling grace toward the world. On the inside the soul is pulled by revealing grace toward God. Resolving karma, maturing in the world, fulfilling dharma, we move toward imperturbability, realization, moksha.

Path to Siva, Lesson 11.


Click here to go to an index of all of Bodhinatha’s and Gurudeva’s online audio.

A Clear Crystal Vision: The Story of Iraivan's Lingam

Our Sun 1 homa was a delight indeed. The monks gathered together and chanted Sri Rudram in unison, meditated on the inner skys, offered what we have to Rudra and listened to our satguru speak profoundly on fulfilling dharma, resolving karma and realizing the Self.

But recently we had to remember what was learned and forgotten, and that is the story of our svayambhu sphatika Sivalingam sitting in Kadavul Temple.

One day, in an early-morning vision in his private quarters, Guru deva saw
the future, as he would later say. In fact, he often said, if you want to know
what you should do, do this: In your mind, travel into the future, and from
there look back and witness what happened. The present-day decision
will be obvious.

In this vision of the yet-to-be, Guru deva saw a massive crystal Sivalingam
shining brightly in the sanctum of Iraivan Temple, radiating out to
the world. It was a titan among crystals. In fact, it seemed in this first seeing
impossibly large, fantastical and beyond reality. Perhaps, he thought,
it is merely the spiritual form of the Sivalingam and not the physical one.

Downstairs a few hours later, he shared this vision with the monks,
letting them know he had his answer as to which form of Siva that Iraivan
Temple would embody. It would be a crystal Lingam, known in Sanskrit
as sphatika Sivalingam. In the ancient texts it is said that a Lingam, which
is the aniconic form of the Creator-Preserver-Destroyer of the universe,
is the highest of worshipful icons. It represents That which is beyond
representation, beyond form and even imagination. It is the All in all, the
Self beyond time, form, space and cause.

The Agamas say one can worship this Great God Siva in the form of a
Lingam made of mud or sand, of cow dung or wood, of bronze or black
granite stone. But the purest and most sought-after form is the quartz
crystal, a natural stone not carved by man but made by nature, gathered
molecule by molecule over hundreds, thousands or millions of years, grown as a living body grows, but infinitely more slowly. Such a creation of nature is itself a miracle worthy of worship.

The monks were delighted to hear of their guru's revelation and imagined
the meanings behind it. Kadavul Temple already housed God Siva as
Nataraja, the divine dancer who creates and inhabits every atom of the
cosmos, and Iraivan Temple would host Siva as the transcendent Beyond,
immanent and transcendent, form and formless. It was perfect. But the
monks were not at all prepared for what would happen next.

Gurudeva paid a visit the next day to the Crystal Journey shop at Kilohana
on Kauai. He was there looking at the wares, asking the proprietor
about crystals, looking for a large one he had visualized. She did not have
such a crystal, but eagerly shared her own similar vision of a giant crystal.
Some weeks later, she called requesting to meet with Guru deva, arriving
at the monastery mid morning. She was a kind of mythical character, a
child of the 70s, a cherubic, intelligent lady about 40 years old. In her long
dress, looking a bit Roma, her round cheeks pink with the pleasure of her
visit, she shared that she had an important message for him. She was taken
to Guru deva's offi ce, where he listened to her tale. "Guru deva, I had a
dream last night. In my dream I saw, even more clearly than before, a giant
crystal. Very tall and perfectly formed, just like the one you described. Not
only that, I saw where it is. If you will allow me, I want to go there. I want
to find the crystal and bring it to you. Will you buy me a ticket?"

Never in his life had Guru deva bought a ticket for a near stranger on a
dream-induced mission. But this was different. Guru deva then told the
visitor of his own dream that same morning, of how he had seen the giant
crystal, too, but never imagined someone else might have the same dream
at nearly the same time. He took it as a sign, and did the unthinkable--
bought her a round-trip ticket to Arkansas, the Natural State.

Soon she was on a crystal quest. Having never visited Arkansas, she
took the logical course and began visiting the various mines in the area.
Along with Brazil, Arkansas is the world's most productive crystal source,
and there were dozens of mines to be tracked down at the end of long,
unpaved roads.

Ultimately she found the crystal at the mines of one James Coleman, a
hard-scrabble man dressed in denim with a scrappy beard and callused
hands, whose father and grandfather had mined crystals and who knew
the business like none other.

Ambling to his Jeep, the taciturn miner motioned to her to get in. Off
the two drove, about a mile on a pitted coral path some called a road that
ended at an old wooden warehouse. Getting down, Coleman walked through the double doors and headed to the back of the open space, stopping at a pallet in a dark corner. On it was a musty mattress, worn and
worthless, rolled in a circle and tied with a hemp rope...

Monistic Theism in Saiva Siddhanta – Bodhinatha's Latest Talk

Satguru Bodhinatha Veylanswami

Bodhinatha's Latest Upadesha:
"The Monistic Theism of Saiva Siddhanta" (December 30,2016)

Our doctrine in Saiva Siddhanta is Monistic Theism, Advaita Ishvaravada. To experience oneness with God, to really do well in meditation, first, as a foundation, perfect theism. Become a great monist afterwards. Temple puja awakens the amrita within you; go into that and experience successful meditation after the puja.

Path to Siva, Lesson 10.


Click here to go to an index of all of Bodhinatha's and Gurudeva's online audio.

Shum Continues to the Next Generation

One of the amazing legacies of our Guru Parampara that comes to us from Gurudeva is Shum: The Language of Meditation. Towards the end of his life, Gurudeva was very active in working with the shum alphabet, refining the letters, revising patterns for extending words from 2 to 6 syllables and more. Satguru Bodhinatha Veylanswami is continuing this work and every quarter meets with the editing team to work on the Shum language. For the past week he has been working on this project. For those not familiar with shum, please see this book on line: Twelve Shum Meditations. Click the Minimela Print edition link to get a physical copy for your shrine room and personal study away from the computer.

An Alternative to Happiness

Satguru Bodhinatha Veylanswami reads from his recent Publisher's Desk article in Hinduism Today Magazine, titled "An Alternative to Happiness."

httpvh://www.youtube.com/watch?v=y8dWKZuZ7Wg&t=1s

Bodhinatha's Commentary on Path To Siva: Siva and Shakti

Satguru Bodhinatha Veylanswami

Bodhinatha's Latest Upadeshas:
"Saiva Siddhanta; Siva Shakti" (December 12,2016)

"Saiva Siddhanta is our school of Hinduism. Siva and Shakti are a one gender-less being represented as Ardhanarishvara. It is Siva-Shakti and not Siva and Shakti. Guru, Lingam, sangam (fellowship) and valipadu (worship) are the essence of Saiva Siddhanta. The heart of Saiva Siddhanta is Love."

Path to Siva, Chapter 9.


Click here to go to an index of all of Bodhinatha's and Gurudeva's online audio.

Bodhinatha's Latest Upadeshas on Path to Siva

Bodhinatha's recent upadeshas on the new Path to Siva book are bringing powerful clarifications to key questions and issues that face not only our youth, but any Hindu who may lack the verbal toolbox to talk about these key subjects. Don't miss them! Satguru Bodhinatha Veylanswami

[Tech note: Apologies for the poor audio on Chapter 7. We had a sound system failure and had to pull the audio from our video camera, but the message is "mission critical."]

"Clarifying Multiple Gods and Hindu Denominations" (October 10,2016)

"Temples with multiple deities can be confusing, especially for today's Hindu youth. For clarity, we need to bring forward a more precise understanding of the different Hindu denominations and how the different Gods are viewed from within each denomination. For spiritual advancement it is best to focus on one deity and get to the vibration that deity. When we hear teachings from various Hindus, it is important to understand and identify which denomination they are speaking from. This will avert confusion when that teaching gets contradicted in a different context where someone is talking about the same subject but from a different philosophical background."

Path to Siva, Chapter 7.


"The Many Facets of Saivite Hinduism" (November 9, 2016)

Bodhinatha reviews the main characteristic of Saivite philosophy and practice with an indepth focus on the four stages of religions evolution, chariya, kriya, yoga and jnana. He highlights how this shows that Saiva Siddhanta is unique and quite different from the modern practice of Hinduism as Vedanta

Path to Siva, Chapter 8.

Click here to go to an index of all of Bodhinatha's and Gurudeva's online audio.

Satguru's Jayanti Painting

cc_bd_rain_art For one of this years jayanti gifts, the monks hired our island's award-winning tattoo artist and oil painter, Jarod Powell, to paint a portrait of Satguru Bodhinatha. Jarod is the owner of Farsyde Tattoo Parlor in Koloa, Kauai, and regularly does professional photography for the local department of tourism by shooting beautiful island spots for brochures. You can find his main body of work at Farsyde Tattoo. The monastery knows Jarod quite well as he has photographed Iraivan Temple. Before doing the secret painting, he requested to learn as much as he could about Bodhinatha so he would understand how the portray him on canvas. The monks gave Jarod a digital photo of Satguru and the painting was finished after roughly 30 hours of work. This is Jarod's first canvas portrait but he has done many on skin with his tattoo work. We were surprised and delighted to see the unusual style of creating a rain effect in the painting, with Satguru being the only object left untouched. Jarod felt that satguru's face should hold the most prominence and that while the wet world around him changes, the guru remains perfectly poised and clear. Jarod is not your average artist and we couldn't be happier with the results. For a full size download of the painting, please click HERE and save from your browser.

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